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This page contains all of the posts and discussion on MemeStreams referencing the following web page: Death with Interruptions. You can find discussions on MemeStreams as you surf the web, even if you aren't a MemeStreams member, using the Threads Bookmarklet.

Death with Interruptions
by possibly noteworthy at 8:04 pm EDT, Aug 24, 2008

Jose Saramago's new book comes out in October. Pre-order now.

On the first day of the new year, no one dies. This of course causes consternation among politicians, religious leaders, morticians, and doctors. Among the general public, on the other hand, there is initially celebration—flags are hung out on balconies, people dance in the streets. They have achieved the great goal of humanity: eternal life. Then reality hits home—families are left to care for the permanently dying, life-insurance policies become meaningless, and funeral parlors are reduced to arranging burials for pet dogs, cats, hamsters, and parrots.

Death sits in her chilly apartment, where she lives alone with scythe and filing cabinets, and contemplates her experiment: What if no one ever died again? What if she, death with a small d, became human and were to fall in love?

'Death' earns a Starred Review from Publishers Weekly:

Jose Saramago's philosophical page-turner hinges on death taking a holiday. And, Saramago being Saramago, he turns what could be the stuff of late-night stoner debate into a lucid, playful and politically edgy novel of ideas. For reasons initially unclear, people stop dying in an unnamed country on New Year's Day. Shortly after death begins her break (death is a woman here), there's a catastrophic collapse in the funeral industry; disruption in hospitals of the usual rotational process of patients coming in, getting better or dying; and general havoc. There's much debate and discussion on the link between death, resurrection and the church, and while the clandestine traffic of the terminally ill into bordering countries leads to government collusion with the criminal self-styled maphia, death falls in love with a terminally ill cellist. Saramago adds two satisfying cliffhangers—how far can he go with the concept, and will death succumb to human love? The package is profound, resonant and—bonus—entertaining.

From the archive:

The hands of the girl with dark glasses searched for somewhere to hold on to, but it was the doctor's wife who gently held them in her own hands, Rest, rest. The girl closed her eyes, remained like that for a minute, she might have fallen asleep were it not for the quarrel that suddenly erupted, someone had gone to the lavatory and on his return found his bed occupied, no harm was meant, the other fellow had got up for the same reason, they had passed each other on the way, and obviously it did not occur to either of them to say, Take care not to get into the wrong bed when you come back. Standing there, the doctor's wife watched the two blind men who were arguing, she noticed they made no gestures, that they barely moved their bodies, having quickly learned that only their voice and hearing now served any purpose, true, they had their arms, that they could fight, grapple, come to blows, as the saying goes, but a bed swapped by mistake was not worth so much fuss, if only all life's deceptions were like this one, and all they had to do was to come to some agreement, Number two is mine, yours is number three, let that be understood once and for all, Were it not for the fact that we're blind this mix-up would never have happened, You're right, our problem is that we're blind. The doctor's wife said to her husband, The whole world is right here.


 
 
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