Jello wrote:

We are all going to die. And for some of us... its the damned robots that are going to do it.

I love this!!!!

RE: 1213154081_picsu_14.jpg (JPEG Image, 640x482 pixels)

If you're looking for that Tim Burton on bad acid look for your living room, these dolls could really add to the ambiance.

-No, I don't want one of these for Christmas Tom...keep looking:)

Strange Dolls Indeed - Just in time for Christmas

A German ballet school for girls is the setting for mysterious deaths, in this 1977 horror story, written and directed by Dario Argento. "Suspiria" is a visually stunning film. The images contain objects we recognize, like people, buildings, and interior decor. But the objects seem vaguely menacing, and less real than surreal, as though they symbolize ideas, repressed desires, or subconscious fears. The vivid, rich colors, strange camera angles, deep shadows, and bright light piercing through darkness, all contribute to the impression that the viewer is trapped in someone else's nightmare.

Suspiria (1977)

Octavia Butler, the brilliant science fiction writer, reportedly died on Saturday following a fall.

Somehow I missed this. Very unfortunate.

(This is very sad indeed...she is a brilliant biopunk author. I recommend her writing...
-Nano)

Boing Boing: RIP, Octavia Butler,

[I especially liked "Your manias become science"....anyone know where I can get a print of that? It would go wonderfully in the lab:) - Nano]

If you liked PostSecret, you may also like Barbara Kruger. Here's a description from a gallery of Barbara Kruger's work:

The juxtaposition of word and image in Barbara Kruger's highly recognizable work is derived from twelve years as a designer and photo editor for Conde Nast publications. Short, pithy caption-like copy is scattered over fragmented and enlarged photographs appropriated from various media. Usually declarative or accusatory in tone, these phrases posit an opposition between the pronouns "you" and "we," which satirically refer to "men" and "women." These humorous works suspend the viewer between the fascination of the image and the indictment of the text while reminding us that language and its use within culture to construct and maintina proverbs, jobs, jokes, myths, and history reinforce the interests and perspective of those who control it.

There's another gallery:

Barbara Kruger's on going project is to provoke questions about power and its effect on the human condition: to investigate the way power is constructed, used and abused. In her works, which have become the demonstrative visual icons of the 1980s and 1990s, power is interrogated and interpreted through the social, economic and political arrangements which motor the life impulses of love, hate, sex and death.

Kruger was also featured in the PBS documentary art:21.

It's our pleasure to disgust you is in the permanent collection at MOCA in Los Angeles.

In 2000, some of her art was shown at the Whitney Museum of American Art.

Here are some prints from the gallery of the Smithsonian American Art Museum:

We, Longer, Heard, Seen, And, No, Not, Be

A Slate article from July 2000 begins:

Barbara Kruger comes as close as anybody can to being the official artist of American consumerism.

An interview with Barbara Kruger:

By using familiar images and text from modern advertising, Kruger forcefully exposes the misleading and aggressive lies of pop media. Her works involve humor and irony, though they are often disturbing at the same time. Kruger gained her "fluency and comfort with pictures and words" from working as a graphic designer for magazines before she became an artist in the mid-'80s.

Barbara Kruger

whoa...this is the good stuff

God Speaks To Me Through Scrabble

A quick, entertaining piece. What M.C. Escher would do with flash.

[Very cool. Good procrastination tool from grant:) - Nano]

The Zoom Quilt: A collaborative art project

] In September, Pantheon Books will publish Art
] Spiegelman's comic strip musings on 9/11 and its
] aftermath, In the Shadow of No Towers. Spiegelman, of
] course, is the author of Maus, a key book in the
] development of the modern graphic novel, as well as the
] editor (along with his wife Francoise Mouly) of Raw, the
] award-winning anthology of avant garde comics. 

I felt that Maus was really well done, so I anticipate that this book by Spiegelman will be awesome as well.

ICv2 News - In the Shadow of No Towers

Book-ends for tax day.

On April 13, go to Borders for a second helping of Neal. On April 16, go to AMC for another course of Quentin.

Revenge is a dish best served cold.

After having killed the first two on her death list, O-Ren Ishii and Vernita Green, The Bride continues in her journey of vengeance to hunt down and kill the remaining victims, Elle Driver, Budd, and ultimately, Bill. However, matters become complicated when The Bride learns that her daughter, whom she presumed dead, is still alive.

Form 1040, line 42: Would you like to donate $10 to Miramax?

[Werd....I am so there. I freakin loved Vol. 1. - Nano]

Kill Bill: Volume 2

] His latest installation, which opened Thursday at the
] Exploratorium in San Francisco, doesn't involve
] transgenic pets or fluorescent mutants. Instead, he has
] translated Descartes' "cogito, ergo sum" into his own
] designer DNA sequence and inserted it in a tomato plant.
]
] The piece, called Move 36, is inspired by the 1997 chess
] game in which Garry Kasparov was defeated by Deep Blue,
] IBM's computer. Kac's installation is named for a
] surprising move in Game 2 of the match when Deep Blue,
] instead of making an expected move to position its queen
] for an attack, chose to exchange pawns. Kasparov
] reportedly was so unnerved by the tactic that it ruined
] his concentration for the rest of the match.
]
] "I was intrigued by what the match meant
] philosophically," Kac said. "It was the first time we've
] seen a computer exhibit behavior previously thought of as
] only in the realm of humans.
]
] "I was also interested in Kasparov's emotional response,"
] Kac added, "as a human being in the face of a novel
] event. What happens when we come into contact with
] something not living, but that nonetheless demonstrates
] behavior reminiscent of humans?"
]
] Move 36 comprises a large chessboard, a genetically
] modified plant and two grids of projected blocks of
] undulating colored patterns. The chessboard's dark
] squares are made of soil (representing life); the light
] squares

If you are in San Fran, go see this art. For one, the exploratorium is just a fun place to visit, and for two, I don't get to go, so you can rub it in forever:)

Wired News: DNA Spirals Into Artists' Medium